Search Result: "Hogarth"

Hoffbrand, Barry. "John Misaubin, Hogarth's quack: a case for rehabilitation." Journal of the Royal Society of Medicine, 94, 3 (March 2001): 143-47.

Steintrager, James A. "Monstrous Appearances: Hogarth's Four Stages of Cruelty and the Paradox of Inhumanity." The Eighteenth Century, Theory and Interpretation, 42 (2001): 59-82.

* Klemme, Heiner F., & Manfred Kuehn,ed. The Reception of British Aesthetics in Germany: Seven Significant Translations, 1745-1776. Thoemmes Press, 2001. 7 vols., 2100 pp. ISBN 1-85506-899-0 [Spalding, Mylius, Resewitz; Shaftesbury, Hutcheson, Hogarth, Hume, Burke, Gerard]

Steintrager, James A. "Monstrous Appearances: Hogarth's Four Stages of Cruelty and the Paradox of Inhumanity." The Eighteenth Century: Theory and Interpretation, 42, 1 (Spring 2001): 59-82.

* Fielding, Henry. Examen des causes de l'augmentation récente du nombre des brigands, &c.. Paris: Éditions des cendres. 240 pp. Illustrations de William Hogarth. ISBN: 2-86742-030-X.

Gourlay, Alexander. "'Reading the Speaking Picture': Hogarth's Rake's Progress Five." The Scriblerian, 36, 1 (Autumn 2003): 1-4, ill.

Turner, Juran, and Simon Turner. "Cataloguing Projects at the NPG [National Portrait Gallery, London]." Print Quarterly, 20 (2003): 78-80 [funded by the Paul Mellon Centre for Studies in British Art, a two-year project to catalogue and to make accessible "a number of special collections of prints held in the Heinz Archive and Library," including "two collections of Alexander Browne and John Smith mezzotints." "Browne . . . is one of the most important publishers of early mezzotints in Britain, whereas Smith is arguably the most significant native printmaker prior to William Hogarth." For info. on the albums, see two notes by Antony Griffiths in Print Quarterly, 6 (1989), 248, and 7 (1990), 141. The catalogued material will be put on the NPG's IT Gallery's database (Multi MIMSY), with digital images, and soon be available online: <www.npg.org.uk>]

* Myers, Robin, Michael Harris, & Giles Madelbrote, eds. The London Book Trade: Topographies of Print in the Metropolis from the Sixteenth Century. London: British Library; New Castle, DE: Oak Knoll Press, 2003. xvi, 185 pp., ill., maps [the booktrade around St. Paul's from 16th-19th centuries: Peter W. M. Blayney, "The Site of the Sign of the Sun," Giles Mandelbrote, "Workplaces and Living Spaces: London Book Trade Inventories of the Late Seventeenth Century," Michael Harris, "Print in Neighbourhood Commerce: The Case of Carter Lane," Sheila O'Connell, "The Print Trade in Hogarth's London," James Raven, "Location, Size, and Succession: The Bookshops of Paternoster Row before 1800," David J. Shaw, "French Émigrés in the London Book Trade to 1850," & David Chambers, "Private Printing in London in the Nineteenth Century."]

* Payne, Christiana, & William Vaughan, eds. English Accents: Interactions with British Art, c. 1776-1855. Ashgate, 2004. 290 pp., ill. ISBN 0-7546-0712-7 [includes: C. Payne, "Introduction: international cross-currents in an age of nationalism"; David Bindman, "Americans in London: contemporary history painting revisited"; Anne-Marie Link, "Papierkultur: the British print, history and modernity in Enlightenment Germany"; Galina Andreeva, "‘Everything English is the mode here’: Russian reactions to British painting in the late 18th and early 19th centuries"; Michael Rosenthal, "A view of New Holland: Aspects of the colonial prospect"; Sarah Symmons, "‘A new people and a limited society’: British art and the Spanish spectator"; Barthélémy Jobert, "A la recherche de l’école anglaise: Lawrence, Wilkie and Martin, three British artists in Restoration France"; W. Vaughan, "‘Consciously objective and moral’: Hogarth and the political artist in Vormärz Germany"; Andrew Wilton, "American landscape painting and the European paradigm"; Rosalind P. Blakesly, "Slavs, Brits, and the question of national identity in art: Russian responses to British painting in the mid-19th century"; Tim Barringer, "Unmistakably American? National myths and the historiography of landscape painting in the USA"; W. Vaughan: "Afterword: British art and its histories"].

* Klemme, Heiner F., & Manfred Kuehn, ed. The Reception of British Aesthetics in Germany: Seven Significant Translations, 1745-1776. Thoemmes Continuum, 2001. 7 vols., 2100 pp. ISBN 1-85506-899-0 [influential works by Shaftesbury, Hutcheson, Hogarth, Hume, Burke, Gerard, as translated by Spalding, Mylius, and Resewitz].

* Payne, Christiana, & William Vaughan, eds. English Accents: Interactions with British Art, c. 1776-1855. Ashgate, 2004. 290 pp., ill. ISBN 0-7546-0712-7 [includes: C. Payne, "Introduction: international cross-currents in an age of nationalism"; David Bindman, "Americans in London: contemporary history painting revisited"; Anne-Marie Link, "Papierkultur: the British print, history and modernity in Enlightenment Germany"; Galina Andreeva, "‘Everything English is the mode here’: Russian reactions to British painting in the late 18th and early 19th centuries"; Michael Rosenthal, "A view of New Holland: Aspects of the colonial prospect"; Sarah Symmons, "‘A new people and a limited society’: British art and the Spanish spectator"; Barthélémy Jobert, "A la recherche de l’école anglaise: Lawrence, Wilkie and Martin, three British artists in Restoration France"; W. Vaughan, "‘Consciously objective and moral’: Hogarth and the political artist in Vormärz Germany"; Andrew Wilton, "American landscape painting and the European paradigm"; Rosalind P. Blakesly, "Slavs, Brits, and the question of national identity in art: Russian responses to British painting in the mid-19th century"; Tim Barringer, "Unmistakably American? National myths and the historiography of landscape painting in the USA"; W. Vaughan: "Afterword: British art and its histories"].

Barlow, Jeremy. The Enraged Musician: Hogarth’s Musical Imagery. Ashgate, 2005. 388 pp., ill. ISBN: 1-84014-615-X

See also title by Barlow listed under History of Art – Hogarth; see also title Aesthetics and Music listed under Philosophy – Aesthetics

* Klemme, Heiner F., & Manfred Kuehn, ed. The Reception of British Aesthetics in Germany: Seven Significant Translations, 1745-1776. Thoemmes Continuum, 2001. 7 vols., 2100 pp. ISBN 1-85506-899-0 [influential works by Shaftesbury, Hutcheson, Hogarth, Hume, Burke, Gerard, as translated by Spalding, Mylius, and Resewitz].

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